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Vector art

Vector Art

Pushing the Limits of Design

More than one million traces

Adobe Illustrator

A work inspired by the paintings of Georges Braque, the co-founder of Cubism. It was created entirely freehand, consisting of 1,149,954 traces. The fragmented shape of the guitar forms the number 3, while the number ‘14’ is engraved on the back of the musical score. While in appearance this work is a homage to Cubism, in essence it is a tribute to Metaphysics: unrestricted by physical dimensions, it transcends the concepts of uniqueness and immutability.

…and that’s our glorious madness!

We use vector technology where 99% of designers would choose raster. Because we believe in quality without limits — images that stay sharp at any size and adapt to every need. Our works are free from the usual constraints of resolution, color, or file format — pure visual freedom.

Amid these creations lies the true spirit of 14.3 — the point where years of knowledge from other worlds blend seamlessly into the art of wine.

Everyone knew it was impossible, until a fool who didn’t know came along and did it.

Albert Einstein

Cantine Vedova

La “V” di Cantine Vedova in una composizione artistica in cui convivono geometrie, acquarello e finiture dorate. Le tonalità giallo-verdi richiamano naturalmente il colore delle uve “Prosecco”.

Grape

Adobe Illustrator
A tribute to the art of engraving, relying solely on lines, dots, and black to sculpt light and shadow—breathing three-dimensional life into the object. This same technique is also used on the other grape cluster, crafted with a distinctly commercial purpose in mind.

Domaine Des Rouges Gorges

Adobe Illustrator
A work with a distinctly painterly and figurative flavor, it stands as a strong example of the advantages of vector art. Designed to decorate a wine label, it goes beyond boundaries to virtually adorn any object the company desires. The image requires no photography or background removal, faces no resolution or color issues, and can be applied to any surface. Its ‘ease of use’ is inversely proportional to the persistence needed to create it.”

Fantome d’Argent

Adobe Illustrator
A reproduction of the propeller and part of the engine of an early 20th-century biplane. Using the same technique as the engraving of the grape clusters, it stands as another magnificent example of monochromatic vector art.

CONTACT US

CONTACT US
Feel free to contact us and discover everything 14.3 can do to elevate your product into a unique realm of art and beauty
Feel free to contact us and discover everything 14.3 can do to elevate your product into a unique realm of art and beauty